So behind me is the shooting crew for a commercial. We're filming digitally for a local bank. They were looking for climbers, but we're in the middle of January. The people are fun. It's interesting to see the whole process of shooting. I'm definitely learning something.
Sent from my Verizon Wireless BlackBerry
Wednesday, January 26, 2011
Tuesday, January 18, 2011
The Rainbow and the Barbarian
They say that with the analysis of the light defraction of a rainbow, it loses the mystery of its beauty that gives it an awe inspiring magical appearance. Too much analysis takes away from its beauty. I disagree. The colors of a rainbow seem more rich and complex because I know how the different wavelengths of light bend in relation to the density of the defracting object, in this case the water droplets.
But that is simply a long introduction to what I am about to talk about today.
Without knowing it, the Lombards and Nebbletts effortlessly display a good example of a group photo. Most every photographer's nightmare is a group photo where everyone stands as if they were in a police line-up. But not this case. For whatever reason these guys were a dream. The only direction I gave them was: Stand right there. Anyone to Chantée's right will be out of the picture, or to Josh's left.
That was it. I metered off Sean's shirt and dropped the exposure a touch. Counted to three and this is what I got. Cropped minor with about 5 curve adjustments and voilà! The kids did the magic really:
But I'm getting ahead of myself. There are several things that these guys did without being directed. We're going to deconstruct it so if you ever want to shoot a group shot, use this example.
The rules in group photos ares several: Everyone should be relaxed and standing anyway but straight on. Pay attention to Natasha's slight drop in her right shoulder, and Sean's left shoulder pushed back inadvertently pushing his left leg forward and putting his weight on it, as well as Josh's left-ward lean, and Elissa's lean into her brother and Pete's arm which has to wrap around his sister, and consequently shifts his weight to his left leg, turn his torso slightly to give him a nature bend. And Adri's gentle touch of her hand on Chantée's shoulder. Chantée is the only one who comes close to squaring to the camera, but even with her relaxed stance, she is slightly rotating her left shoulder back more than her right, and her position is further relaxed with the Lombard girls behind her.
But that's not it: What makes a good group photo appear like friends, not a corporate board of director's shot, is the closeness of each of the individuals. The trick is to get every one to relax individually but combine them so that they each appear close knit to the viewer. This is done by forming groups of two or three. Adri's hand on Chantée make them a group. Elissa and Pete with their arms around each other, and with Sean in such close proximity to them, that makes a group of three. The separation of Sean and Natasha make her and Josh as one group. But each group also fits in relatively close proximity to each other group.
A lot of analysis? well, these guys didn't even think about it. I just told them to relax and act like friends and they did. And for we the viewers, it just felt right. Like looking at rainbow and not worrying about color wavelength or light defraction. It just looks right.
[click on photo for a larger image]
But that is simply a long introduction to what I am about to talk about today.
Without knowing it, the Lombards and Nebbletts effortlessly display a good example of a group photo. Most every photographer's nightmare is a group photo where everyone stands as if they were in a police line-up. But not this case. For whatever reason these guys were a dream. The only direction I gave them was: Stand right there. Anyone to Chantée's right will be out of the picture, or to Josh's left.
That was it. I metered off Sean's shirt and dropped the exposure a touch. Counted to three and this is what I got. Cropped minor with about 5 curve adjustments and voilà! The kids did the magic really:
The Lombards and Nebbletts (l-r): Adriana Lombard, Chantée Nebblett, Elissa Lombard, Peter Michael Lombard, Sean Nebblett, Natasha Nebblett, Josh Nebblett. |
But I'm getting ahead of myself. There are several things that these guys did without being directed. We're going to deconstruct it so if you ever want to shoot a group shot, use this example.
The rules in group photos ares several: Everyone should be relaxed and standing anyway but straight on. Pay attention to Natasha's slight drop in her right shoulder, and Sean's left shoulder pushed back inadvertently pushing his left leg forward and putting his weight on it, as well as Josh's left-ward lean, and Elissa's lean into her brother and Pete's arm which has to wrap around his sister, and consequently shifts his weight to his left leg, turn his torso slightly to give him a nature bend. And Adri's gentle touch of her hand on Chantée's shoulder. Chantée is the only one who comes close to squaring to the camera, but even with her relaxed stance, she is slightly rotating her left shoulder back more than her right, and her position is further relaxed with the Lombard girls behind her.
But that's not it: What makes a good group photo appear like friends, not a corporate board of director's shot, is the closeness of each of the individuals. The trick is to get every one to relax individually but combine them so that they each appear close knit to the viewer. This is done by forming groups of two or three. Adri's hand on Chantée make them a group. Elissa and Pete with their arms around each other, and with Sean in such close proximity to them, that makes a group of three. The separation of Sean and Natasha make her and Josh as one group. But each group also fits in relatively close proximity to each other group.
A lot of analysis? well, these guys didn't even think about it. I just told them to relax and act like friends and they did. And for we the viewers, it just felt right. Like looking at rainbow and not worrying about color wavelength or light defraction. It just looks right.
[click on photo for a larger image]
Labels:
group,
Instruction,
Lombards,
Massachusetts,
Nebbletts,
Photography
Monday, January 3, 2011
Courage
The distinction is subtle but the difference is so pertinent it bears examination.
Bravery is the ability to confront pain and difficulty without feelings of fear.
Courage is the ability to confront pain and difficulty DESPITE the fear that is eminent.
"The essence of courage is not the feeling of being certainly capable of overcoming what’s one is faced with, but rather is the willful choice to fight regardless of the consequences."
There is no Biblical promise that fear will not be present, courage can be obtained as our biddings from God are enablings from Him as well.
This sheds new light on the promise:
"Be strong and courageous" - Joshua 1:9
Bravery is the ability to confront pain and difficulty without feelings of fear.
Courage is the ability to confront pain and difficulty DESPITE the fear that is eminent.
"The essence of courage is not the feeling of being certainly capable of overcoming what’s one is faced with, but rather is the willful choice to fight regardless of the consequences."
There is no Biblical promise that fear will not be present, courage can be obtained as our biddings from God are enablings from Him as well.
This sheds new light on the promise:
"Be strong and courageous" - Joshua 1:9
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